YOUSOUPOFF

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this  story -from the archives:

I am sadly behind on everything this task, the other task & of course the big task of work- along with having been under the weather for about three weeks- I thought this post might be to your pleasure if you have not read it.

 

YOUSOUPOFF in Boyar costume for a Court Ball-described as one of the most beautiful men in Europe

Prince Felix YOUSOUPOFF best known, or perhaps infamously known for killing Rasputin in 1916, at the age of 28. Y. along with other Russian nobles, was convinced Rasputin was responsible for the failing House of Romanov. According to Y., he could sing and play the guitar like a gypsy and that is what lured Rasputin to his "house" as he refers to the Y. Palace. After cyanide poisoning, three shots and his eventual death by drowning- Rasputin was dead. YOUSOUPOFF would forever live out his life as the man who gave Rasputin his last rites saying: "Gregory Efimovitch, you would do well to look at this crucifix and say a prayer."

 
Scene of the crime~ 
Yusupov Palace-Y. and his wife Irina were the last of the Yusupov's to live in the Palace



 

YOUSOUPOFF had admittedly led a flamboyant life described in his autobiography- spending time with Gypsy bands and cross dressing. Y. said "he was then as rich as the Czar." After the murder of Rasputin, YOUSOUPOFF was held under house arrest and when the Czar abdicated, Y. returned to the Palace to retrieve jewelery and two paintings by Rembrandt- proceeds from the sale sustained his family in exile.

the Palace's Private Theatre

A Palace Gallery

In 1965 the then Editor-in Chief of French Vogue, Edmonde Charles-Roux, conducted an interview with the Prince in his small Paris house, once a stable, where now, "living is turned into art." A flower filled courtyard, with a Beware of the Dog warning is deceiving and the author reveals the dog to be a pug. No reputation as a saint, Y. and his wife Irina always lived happily together for almost 50 years.

YOUSOUPOFF at the time of the article's writing

The Living Room- wall lined with family portraits

 
Salon in the Yosopov -
note the portrait that hangs in both the 1965 Y. room and in the current Y. Palace

 

The author of the article is thoroughly charmed by the Prince. During their sitting, Y. had a way of carrying his guest off to a cottage, a dacha, a desert tent- a gallop through family history. He even speaks about his well known reputation of healing powers. " No one has ever seen me sad. In the worst periods of exile, I've always been light hearted and confident. I have Faith. I always have had." In contradiction to this statement are the YOUSOUPOFF art works.

What is most fascinating is the art revealed in the magazine's pages, Grotesques ,YOUSOUPOFF painted in 1929 on the island of Corsica. This would have been 13 years after the murder of Rasputin. One can not help but find them haunting, alarming, and in light of the events behind the eyes of the artist- gripping.


Quoting from the article:

YOUSOUPOFF: " I was taken at that time with an irresistible desire to draw. Until then it was my wife, Irina, who drew with much talent and imagination figures out of a dream: faces with immense eyes that seemed to belong to an unknown world. It is unquestionable that I began my drawings under the influence of my wife's work. I gave myself up to painting as if under a spell. But what I created were visions from a nigthmare rather than creatures from a dream. I, who love only beauty in all its forms, could create only monsters. One might have said that a maleficent power, hidden in me, tried to express itself and guided my hand."

"My work was accomplished, in a way, outside of myself. I never knew what I was going to do. What I did always turned out to be grotesques or deformed creatures related to those who haunted the imaginations of certain artists in the Middle Ages. One day I stopped drawing as suddenly as I had started. The last drawing might have been a portrait of Satan."

(obviously the painting referred to as Satan by YOUSOUPOFF)

"Since that short period I have not only lost the taste for drawing but the desire. To save my life I could not do it again." (Y.)

The color in the YOUSOUPOFF paintings is true to Russia. Look at the rooms of the restored Y. Palace, even the colorful Russian dacha. The images also hold- decidedly-the look of the Russian Icon, both in it's formal composition and use of color. COLOR in the Icon is used for its emotional and symbolic content-rather than an accurate representation of color. Kandinsky- the ultimate intellectual abstract artist and a Russian, wrote Concerning the Spiritual in Art(1912) and drew its concepts from the Icon and the Russian provinces. BLUE for both Kandinsky and the Icon painter were the most spiritual, perhaps for YOUSOUPOFF as well. The works- YOUSOUPOFF offered no explanation of- other than those presented in the 1965 article. Many come to mind- maybe too uncertain, too complex or too painful for him to speak about. Whatever, the artist and the observer are left with the images- mesmerizing, haunting and powerful.

YOUSOUPOFF: " All the professionals to whom I have shown these bizarre works have been astonished at the technique which, they said, could normally have been attained only after years of study. Before this period of frenetic production I had never held a pencil or a brush in my hand."

"I, who love only beauty in all its forms, could create only monsters" (Y.)

"Life is a gift...I have no regrets." (Y.)

Yusupov died in Paris in 1967.

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my checkered past

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The first check of memory-at age 4 years- was a little tiny voile gingham made for me by my great MaMa. She was a wonderful seamstress and of course I loved a check even then.
Certainly not my first, In Fact- I never met a check I did not like...
Another check -a small yellow one sewn for a colonial dance in the first grade also comes to mind-as does the dance partner-still not happy at that pairing.

My mother wore them.
We picnicked on them.
There were aprons, tablecloths, napkins-

dress by Adrian

I've heard it said that a house will speak to you-If  you listen. Has yours talked to you lately? The house I left 5 years ago spoke in dulcet elegant tones. It wanted to speak French-but I insisted not. It knew I was right- that said- it was very Continental. A formal room of Manuel Canovas linen floral curtains on the wall, silk damasks-you get the picture.
The house I live in now spoke immediately-Besides saying Help! -it said-in a calm voice-You love checks!
Why not?
I don't count them for this story, that would mean I was on shaky ground in using more than One.
Two.
Three?

Red Checks  Blue Checks, Tan Checks-throughout the house.  Checks find their way into my design projects too. They live comfortably in any room and I especially love them looking smart & yes-even a little chic in my own bath (above) where the walls are a sort of  spiritual misty lavender and two shower curtains are made up in a large red voile check- paired with a Chanel poster. Neither has complained about the placement.

Clients rarely reject a check-unless they have a lingering hangup about kitchen towels or tab curtains from there own past. When thinking about checks - think Versatility.

My list of rooms that wear them well:
the kitchen of course- though this one is maybe too obvious-like shells at the beach cottage.
I love checks in a Nursery- large Blue checks from Greeff- with scallopy valances and canopies,
a Master Suite- large Blue Schumacher checks for the curtains, bed coverings, a headboard in a room with yellow walls,
the Guest Room- Black check curtains paired with a small red windowpane quilted checks & Black check twin headboards, finishing with a black and white Brunschwig toile paper on the walls.

A CHECKERED PAST

GREAT ROOMS- Memorable Checks

Charles de Beistegui at Groussay

Interestingly -in the 18th century, slipcovers were necessity, keeping the many fine furnishings from the inevitable weather -dust and dirt that permeated  the most  sound  houses. The Duchess of Norfolk had check covers for all of the furnishing in London's Norfolk House. She was quite firm that  the  color scheme of each room be echoed in the check.  From the inventory the Duchess noted for the ground floor Great Drawing Room the case covers were in 'blew and white check' to match the 'blew Imbost Paper.'

a 1947 Check Evening dress and stole-timeless & as beautiful today as it was 64 years ago.

Carolina Herrera Fall 2011

The ever elegant Carolina Herrera (above) a does not hesitate to use a silk check for the tailored ball gown- How much do you love this dress?



When made of silk or silk tafetta, Checks are elegant, romantic- equally unexpected- large bold checks in the Living Room & tiny ones on dog collars. Large or small -in silk- a check abandons its ordered regimented nature and swishes from skirt to curtain to pillow.

Gorgeous silk checks from Kravet, Stroheim & Romann, Cowtan & Tout and  Robert Allen.

A silk check from Carelton V (above) in my bedroom has something of the little details I love.  I used this check with a finely stitched diagonal playing over the pattern on a French chair.
Some find checks an easy fix- I could not agree more! Often easy is best.
In culling tear sheets and scrap books-I found little french chairs dotting the pages : in the late Nan Kempner's closet- a check covered French chair & check boxes peak out of the curtained closet.

in Carolyne Roehm's makeshift office in Weatherstone's carriage house-serving after a fire swept through the main house in 1999. (below)

Checks can also double as trimmings & bands to add detail to chairs & curtains.

- details count
checks used as trimmings

A 1957 day dress photographed by John French with the check pattern running on the diagonal to create a completely unique look. As with any sort of sewing- simple or complex-the matching of seams must be perfect.

NOTABLE CHECKERED PASTS

 GREAT ROOMS -Memorable Checks

 

Valentino's Living Room

check Curtains & dining chairs beyond

When ask  about his love for checks and plaids?  Valentino says- "Why not? Squares are such perfect shapes." According to IN Style 2006 - all of  Valentino's homes are stocked with checks and plaid towels, sheets, pillows, linens-as well as curtains and sofas. (above) Valentino's Appia Antica Villa- in Rome.

Adolpho's take on the romantic check- inspired by the 1967 Swedish film Elvira Madigan

(Vogue 1968)

Nicky Haslam

something about Chairs

Nicky Haslam used a check in his own dining room at the Hunting Lodge-once owned by John Fowler. An elegant room with formal notes- more gavotte than minuet.

Nicky Haslam's Hunting Lodge Dining Room

(above pages from Nicky Haslam's website here) , I love Haslam's use of a large check on the backs of leather chairs in the Kitchen of this project (at left). The checks used over 40 years ago for evening skirts would be perfect for dining with Nicky at the Hunting Lodge. I bet Colette, Nicky's colleague , has one ready and waiting just in case-I can not imagine she doesn't. She has a decided penchant for finding the perfect fabric from their library an having something made up to show stopping effect.

an evening skirt made from yards & yards of blue and white gingham check  taffeta

(from Vogue 1968)

A curtained day bed canopy  in my upstairs hall with a simple coarse tan check of cotton trimmed in a wooden tassel trim

GREAT ROOMS- Memorable Checks

Perhaps one of the most famous room-at least the room of checks I fell in love with at age 11. In the early 1970's Gloria swathed the family's Living Room at their Southampton home- Summertime in beautiful check gingham.

Jack Robinson photographed the rooms and family for House & Garden in June 1972.

Checks are forgiving in a sense that relatively inexpensive ones can made top notch rooms-however impeccable workmanship is imperative-Seamstresses that match checks, upholsterers that do the same.
The pink checks shown here are from Pindler & Pindler and along with these two large patterns matching smaller  checks are available.


I used a tiny Cowtan & Tout windowpane on the cupboard to keep it covered and pretty- The Cowtan and Tout checks probable have the best of all the Checkered pasts- The color range is beautiful-still one of the best to the trade and the grounds are equal to the color.

How many times has Eaton Check (pictured below) come to the rescue? Each time I use it is looks new, fresh-crisp. What a check should be?
Really-I never met a check I didn't like.

it's a toss up!

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