1. "The Harmonic Convergence is the term applied to a worldwide esoteric-religious event which occurred August 16 and 17, 1987. The event was centered around numerous sacred places throughout the world from Stonehenge to the Golden Gate Bridge where individuals, many referring to themselves as "light beings", gathered to usher in a new age." [props 2 soph]
2. Dirty French Psychedelics is a new compilation by Paris' Dirty label, known for their edits of Frankie Valli, Elvis Presley, et al.
"On paper, “Dirty French Psychedelics” is a compilation for classic rock radio with names our parents would recognize. In reality, it is a hallucinated voyage through the land of French pop psychedelics to be listened to in one sitting, eyes half-open in the heat of the summer of 2009. Certain experts will tell you that Bernard Lavilliers or Brigitte Fontaine are not psychedelic, and they are probably right. Who cares? May the experts go back to counting their CDs. Psychedelics is a notion too precious and subjective to be imprisoned by such stylistic formatting; psychedelics are about perception, not “controlled appellations of origin."
the cheval fou track is one of the numerous highlights from this psychedelic gathering - a 12-minute minimal-afro-kraut epic, visionary remnant from a lost world.
3. Techno pioneers Amorphous Androgynous, aka Future Sound of London (FSOL) present this two-disc compilation of acid folk and heavy psych, hairy thunder and tingling lightning. Starts with Donovan, includes AC faves Betty Davis and "Rated X" by Miles Davis. "Blue Honey" by Pop Levi is a deep-clap head-nodder with Zep muscle and electric gristle.
My label of the month feature for RA on Paris' Dirty Sound System is up, check it out. They're a DJ/selector/label crew with a ridiculous amount of style. They get Pilooski to do edits and they have impeccable taste - the edit of Valli's Beggin' was basically an atomic bomb when it came out last year. Seriously it is like a dancefloor trump card, a burning blue-eyed soul rave-up, and if you ever get caught in a DJ duel just drop this and watch the other guy crumble - no one can resist.
I would love to explain in detail why a post titled this way with these songs is necessary and appropriate for this blog, but it should be so blindingly obvious by now that I won't waste both your time and mine. Into the breach:
1. 'Holy Jungle' is a new jam from Golf Channel Recordings, the New York label with ties to Whatever We Want and No Ordinary Monkey. It's the most beardo thing maybe ever. Here's my review of it on Resident Advisor. You'll note one of the comments says "What a pompous review! This record is FUN!" to which I would reply here, yeah, that's why I called it the most beardo song ever made. Sounds like fun to me, come on. Basically the track sounds like shamans clanging a bunch of metal together in collective narco-religious trance. And it samples Jodorowsky's 'Holy Mountain' where the guy unloads the cosmic myth of the nine immortals who rule the world from the mountaintop.
2. 'Kismet (Pilooski edit)' is a whirling dervish Tibetany folk-psych jam by German space rockers Amon Duul II that's been cut for maximum hypnosis by the Dirty Sound System's beloved re-edit master Pilooski. The guys from dirty have seriously good taste, and I think they know it. Disco edits are a straight-up subgenre at this point, and the dirty crew stays really one step ahead and to the left of the rest by digging the deepest and the weirdest.
3. Anambra by Ozo is a super-deep afro-cosmic commune jam from 1976.
It's one of those stunning tracks that always sounds good with everything. It's so mystically narcotized, it could be a Popol Vuh jam. Loft disco impresario David Mancuso apparently plays this alot at the very end of the night. Classic wizard disco.
4. The Myth is from the Cat People soundtrack, and is easily Anambra's twin. In addition to singing on the single "Cat People (Putting Out the Fire)," Bowie intones wordlessly over ominous hand-drum atmosphere from Giorgio, an instrumental version of the single's intro. Could easily be a Berlin-era ambient outtake. It occurs in the film when they explain the foundation myth behind the cat people, who are an ancient mystic race. It's worth mentioning here that the Christian apologist Origen claims Joseph's patronymic was Pantheras, as his father Jacob was called Panther.
Holy Mountain
Opening scene to Cat People, with vocal version
Bonus: Aguirre: The Wrath of God - Opening Mountain Awesomeness
keyboardist for UK rockers Ian Dury & the Blockheads in the 80s. Jankel had a number of 80s wonky disco hits (like "Spasticus Autisticus" with Dury) and his works are currently getting new exposure to the weirdo disco re-edit beard-wearing scene. They just reissued a 'best of' which features this re-edit by Todd Terje who is basically a trippy disco edit genius. This cut is super dubby and nicely spaced, good for standing on the dancefloor in a wobbly daze.
Chaz also had a song in the movie "Real Genius," which was a point of personal obsession for me as a young bookish misfit (nerd). While the real-life setting for RG's genius-nerd micro-realm was supposedly Caltech, it also neatly overlapped with my own boarding school experience at the Texas Academy of Math and Science.
Where two-thirds of the students were laced quite straight and the other third were the kind that dropped acid right before taking the SATs. It is also where, as a neophyte, I encountered a philosophical crisis: the suspicion that science doesn't think. That's what always annoyed me about it, slightly, and why at a tender age I forsook the lab for the library. That's to say science isn't concerned with reflecting on the conditions of its own possibility. You can't deny though how great math is, or the sheer beauty of its inhuman immortality: after all our cities lie in dust, math will still be there, like the cockroach.
Montage sequence from "Real Genius" feat. Jankel's "Number One"