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Showing posts with label Ballet Russes. Show all posts
Showing posts with label Ballet Russes. Show all posts

the Rite of Spring


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every Spring beautiful catalogs and cards start rolling in-and so many worth holding onto. I hate to see them piling up but love to see some of the new fabric offerings if I don't get to the showings many companies have as way of introducing them .




  The collection of , & the presentation from JIM THOMPSON  is worth sharing -The Rite of Spring Collection.



APOLLO on the sofa (above) is a graphic Greek key design made of velvet. This is one of my favorite weights for upholstering sofas and chairs.






Named for the Ballets Russes performance of The Rites of Spring , Jim Thompson's newest fabrics for 2011.





Leon Bakst drawing of Nijinsky



The Rite of Spring, or Le sacre du printemps was a  collaborative ballet with music by Stravinsky, original choreography by Vaslav Nijinsky, design for sets & costumes painter Nicholas Roerich- all coordinated by Serge Diaghilev. From each note- to each stitch- to each movement , its modernity still makes it the greatest of its kind in the 20th century.  Later as a young man studying in Paris, Jim Thompson was inspired by Leon Bakst's costume designs for the Ballets Russes.  Later-as an architect in New York, his continued passion for contemporary ballet and costume design led him to become a director of the Monte Carlo Ballet Company, an offshoot of the Ballets Russes based in the city.  During World War II, Jim Thompson, the soldier,  would be sent to Bangkok and there- his lasting passion would ignite- a love affair with Thailand & a fusion of  fashion, design and art. 




from left to right- a sheer called EPIDAUROS. on the wall FELICITA, a tantalizingly tiny ikat pattern. PARADE in green on the chair & ZEPHIRE, a Japanese-influenced floral pattern embroidered on a natural linen ground..



 JIM THOMPSON'S  second collection inspired by designer TONY DUQUETTE



RUNNING DOG (at left) is an updated version of Tony Duquette's 1940's woven Greek Key fabric design.  DUQUETERIE (at right) was created using Duquette’s archival door panels from the famous “Elsie de Wolfe Cabinet” he designed for Elsie de Wolfe, Lady Mendel in 1941. These iconic carved plasters have been mirrored and paired as a series of recurring patterns with the fantasy “Tony Duquette Foliage”.  Seated and standing blackamoore figures, so beloved by de Wolfe, were repeatedly used by Duquette in his work.


de Wolfe's cabinet designed by Tony Duquette




SNOWFLAKE is pattern Duquette designed after seeing a friend’s collection of 18th century carved Chinese screens. Jim Thompson pairs the modern design of the snowflake with an industrial “Punched metal motif” background.

SNOWFLAKE



DUQUETERIE



TRACERIE
a cut velvet  silk designed from the traceries of an antique Chinese carved door from Duquette's collection.








JIM THOMPSON'S  Rites of Spring Collection



 a Leon Bakst costume design





CHLOE (above) is one of two new Jim Thompson Ikat  patterns. DAPHNIS (below)  is  another interpretation of the IKAT . It pairs the richness of Thai silk and the boldness of an ikat- quite large- Daphnis takes Grand to new proportions.










 a Leon Bakst watercolor rendering


 Juliet, at l. Romeo at r. & Bakst costume designs below







the Jim Thompson site here
read more on Thompson and Duquette at the Peak of Chic here


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in detail: my elements of design

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As an art major- this is one of the many exercises I did when I was going to college. before the age of the internet- way. It was cut and paste. Do and Learn. Surely now- if it is even done- it is on a computer with certain programs to create the books (mine was a book) I still have it, or in a collage. It seems simple- aren't many things that bring us to draw our own conclusions, they were to be looked at as equations, simple math? The most perfect thing about the elements is there is no real right or wrong- just better examples, more subtle, more direct? It is that point of view that makes one designer use color and the next look on an all white palette as the perfect one. Design is subjective. Aren't you glad?  The rules are objective- and of course one knows they too are made to be broken.



My Elements of Design  based on THE Elements of Design (the facts) . It is always good to exercise-the mind. I do lots of fashion related posts. I enjoy the creativity in fashion, the textiles, the references, not so much trend-that I don't enjoy in the design of  interiors either. I think Interior Design is stagnant for the most part. What I see in most design magazines, at markets, design centers, and in advertising is repetitive, rarely inspiring and lacking  lots - loads- of  THE Elements of Design. Being inspired is probably the most exciting aspect of design.

Here's My List: & below the example of Each in the same order-





luxury
shape
color
juxtaposition
intelligence
embellishment
suitability
suitability
suitability
function
form
elegance
restraint
repetition
history
wit
ease

                   









all My Elements of Design are detail images from the fall 2011 fashion season at  VOGUE 
or
if  you prefer-
take a class from the designs of Leon Bakst for the Ballet Russe















above Costume Drama from World of Interiors, photographs from Alex Ramsay


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