photograph by Lee Bey ,here
The New York Times, in its announcement of the celebrated Stokes-Minturn marriage, noted, "The bride is widely known for her beauty and her poses in tableaux charitable objects have attracted the attention of artists. She posed in the Court of Honor at the Columbian Exposition in Chicago as the 'Statue of the Republic.' A photograph of this post took the first prize at the last exhibition by the Society of Photographers."
& So-I began thinking about the beautiful woman in the portrait by John Singer Sargent after being prompted by friend and blogger An Aesthete's Lament with this information about the sitter of my favorite of the Sargent portraits-I can envision her striding forth from the pages of a Wharton or James novel- the fully blown modern American woman. She possessed "in operatic conditions, a radiance, even a slight exaltation; as she was, however, at all times a keenly-glancing, quickly-moving, completely animated young woman." Henry James
Mr. and Mrs. I. N. Phelps Stokes, 1897
Oil on canvas
84 1/4 x 39 3/4 in.
Bequest of Edith Minturn Phelps Stokes (Mrs. I. N.), 1938 (38.104)
The Stokes were married on August 25, 1895, and the portrait by Sargent was a wedding gift from James A. Scrimser. Sargent's first intention was to paint a single portrait of Edith during the summer of 1897 in Venice. After numerous posing and preparatory sessions, the artist decided to paint her as if she were just returning from a brisk walk outdoors, with a greyhound at her side. After the portrait was finished, however, the greyhound was no longer available and I. N. Phelps Stokes suggested that he take its place. Sargent agreed, and the single portrait became a double portrait.Source: John Singer Sargent: Mr. and Mrs. I. N. Phelps Stokes (38.104) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Edith was to have been painted in Sargent's de rigueur satins and silks, but he reworked the painting to depict Edith in her walking costume as her appeared one day after coming into his studio from a walk. As noted- the husband stepped in for the dog and the hat substituted for the dog's head. Mrs Anson Stokes, I.P's mother, had inquired with Sargent about a portrait of her son, while Sargent's commissions were piled up as it were, he suggested his friend James McNeill Whistler to paint I.P. The cost was too high said Mrs Stokes- so this is perhaps another reason I.P. appears just behind his bride Edith Minturn. Likely the loss of the dog (one source says a great dane-which seems more likely) is the reason. We now look with remembrances of things past onto canvas as the new Mrs Stokes boldly stands hand on hip, the deft stroke of Sargent's brush of a diamond, sparkling on her hand. Colour in her cheeks- a glow-, the lady would: "always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was. Sometimes she went so far as to wish that she might find herself some day in a difficult position, so that she should have the pleasure of being as heroic as the occasion demanded." Henry James
Edith Minturn Stokes in all her golden glory as The Republic. This gorgeous iamge is from the elegant and scholarly blog THE CLASSICIST here ,produced by the Institute of Classical Architecture and Classical America.
The original Daniel Chester French statue placed at the eastern end of the Court of Honor at the 1893 World's Columbian Exposition-The Chicago World's Fair- was designed in gilded plaster & a was a magnificent 65 feet tall. The figure was none other than our subject Edith Minturn. At the time the Chicago Tribune wrote,“It impresses by its grand presence, its serene and noble face, and its perfect harmony with its magnificent surroundings, by its wonderful fitness.” According to historian Mary Lackritz Gray, The Republic monument established sculptor Daniel Chester French (1850 – 1931) at the forefront of American art as the turn of the century dawned. The Lincoln Memorial is also the work of French's.
images from Douglas Yeo here
French was also commissioned to recreate The Republic , standing at 24 feet in 1918. This in commemoration of the Exposition's 25 anniversary and the Illinois Centennial. In 1992, The Republic was regilded for the 100th anniversary of the Exposition. The statue stands in Jackson Park on Chicago's South Side-spot of the 1893 Fair. The figure wears a laurel wreath and holds a staff in hand that reads “Liberty” & in the other an orb with an eagle. The incredible sites at the Exposition's White City inspired L.Frank Baum's Emerald City in The Wizard of Oz. Plans for the Exposition grounds were created by Frederick Law Olmsted, and the Beaux-Arts architecture of the buildings was under the direction of Daniel Burnham, Director of Works for the Exposition.
image of the Court of Honor at night lit by electricity here
Another of French's gilded ladies in the likeness of Edith Minturn sits atop the granite dome of the Wisconsin State House. "Wisconsin" in bronze stands 15 feet 5 inches and was placed on the dome in 1915; she holds a globe in her left hand with an eagle perched & her helmet is adorned with a badger, Wisconsin’s state animal.
Equal in physical beauty to Sargent's painting of Edith Minturn Stokes is a portrait painted by Cecilia Beaux in 1898 of Edith. Knowing her portrait of Edith would be compared to Sargent's -Cecilia, long pull out all the stops! Throughout her life she was a one of the foremost"female" painters and her work was constantly compared to the famous Sargent-whom she considered a friend. Exquisitely dressed, Edith is seated with a small volume in hand-finger marking the place-just as if she might have been disturbed while reading and was determined to continue at the passage she had last left. This small detail gives some insight into the brilliant mind and the depth of the sitter. Edith would have been one of these women that subscribed to the adage- "Beauty is but skin deep." Her famed tableaux were often performed for charity and upon her marriage she became a great crusader for the Kindergarten Movement. The couple shared this great passion for the city of New York's poor and her husband I.P. would often go and sleep in the poorest of tenement houses to study housing reforms needed. Our beautiful couple were-in a word- Progressives.
Friend to the couple,Reverend William Rainsford, officiated at their wedding in 1895, said of Edith:
"I have known one or two women as beautiful;
one or two women as interesting;
one or two women as spiritual;
but for the combination of the three-
I have never known her equal."
Mrs Isaac Newton Phelps Stokes
Edith Minturn ,1898
portrait by Cecilia Beaux
image from here
"Her reputation of reading a great deal hung about her like a cloudy envelope of a goddess in an epic" Henry James
"Her reputation of reading a great deal hung about her like a cloudy envelope of a goddess in an epic" Henry James
Edith's in-laws,
Mr and Mrs Anson Phelps Stokes
painted by Cecilia Beaux
image from the Met here
Perhaps it is no coincidence that the Cecilia Beaux portrait of the Anson Phelps Stokes bears similarities to the Sargent portrait of the young marrieds. This Beaux portrait is assumed to be painted around 1898-perhaps Beaux knew of the Sargent composition, perhaps the portrait I.P. referred to in his letter to Beaux as "my mother's" -Mrs. Stokes portrait evolved into the double portrait just as Sargent's portrait had evolved. It is unfortunate that the Beaux portrait was exhibited at the same time of Sargent portrait and the critics panned it as a resounding failure for Beaux.
the celebrated Minturn sisters, Edith is far right
image from wiki here
...to say the Minturn sisters married well would be a slight- Two- the eldest, Sarah May, along with Mildred married Sedgwicks, and Gertrude married a Pinchot. Edith and I.P. met on Staten Island during a summer vacation- It was a love match.
Edith's sister Sarah May Sedgwick, Edith's Mother & Grandmother-
image from here
In about 1910, Edith's architect husband I.N. had an old Ipswich, England timber mansion packed into 668 crates & shipped to New York- Greenwich would be its final destination and establish the Stokes family's home. Landing safely, the timbers were warehoused and re-constructed adding timbers of a wrecked English ship- it came to rest as a fine mansion, overlooking Long Island Sound near Greenwich. The grounds and walled garden, Pleasaunce, were designed by Frederick Law Olmstead. Here sisters, nieces, nephews came to visit the Stokes and their adopted daughter Helen.
High Low House
image from here
"Greenwich in Pictures"
The Greenwich Press, Greenwich, CT (1929)
The Greenwich Press, Greenwich, CT (1929)
By the 1930s, Edith had suffered a series of debilitating strokes. I.P. continued to give Edith the most full life he could, though she was paralyzed & left unable to speak-he belief that her mental faculties remained intact. Her last years, I.P. spent time by her bedside reading, and strolling her through Central Park. Stokes continued to live in the city after Edith died-simplifying his living arrangements, living frugally for a once millionaire. He believed ghosts haunted the city : "I have long specialized in dreams of old New York, and they are the most delightful of all my dreams, I wander over the hills and valleys, and often through virgin forests, and sometimes come out on the shore of the Hudson or the East River where I recognize the topography from the old maps, and take great pleasure in searching for landmarks which I know exist—or at least existed at the time pictured in my dream. Sometimes I find them, and am thrilled by the discovery, but curiously they are almost never inhabited." -I.N.Phelps Stokes
Upon Edith's death the Sargent portrait was given to the Metropolitan and hangs there now for countless admirers.
The more intimate Cecilia Beaux portrait remained in I.P.'s possession and remains in the family.
& a post script
"Edie" Edith Minturn Sedgwick was named after her father’s aunt, Edith Minturn (his mother’s older sister)
read my Rosamond Pinchot( Edith's niece) post here
the Stokes-Minturn nuptials in the NY Times here
another Stokes story here
see Edith Minturn's grandmother, mother and sister Sarah here
the Daniel Chester French post from The Classicist here
a lecture by Akela Reason about the Cecilia Beaux portrait here
.
.
