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CAMPUS
Founded in 1950 at Haystack Mountain, the school moved to its current facility in 1961 on Deer Isle. The campus is a collection of cabins and studios, built into a hillside at the water’s edge. Edward Larrabee Barnes designed the compound, and in 1994, having stood the test of time, it received the Twenty Five Year Award by the American Institute of Architects.
From Barnes’s 2004 New York Times obit:
His Haystack Mountain School of Arts and Crafts…was not a building but a village of shingled cottages linked by a grid of wooden decks leading to a spectacular ocean view. Its diagonal forms were a much-noted departure from the cubical massing of the International Style that prevailed at the time. In 1994, the American Institute of Architects honored the project's influence with its 25-Year Award for older buildings, calling it "an early and profound example of the fruitful and liberating fusion of the vernacular building traditions with the rationality and discipline of Modern architecture."
The breathtaking view shifts gloriously with the fluctuating Maine weather. We drifted off to the sound of crashing waves at night, and woke to outgoing lobster boats in the morning.
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NATURAL LANDSCAPE
The sub-tundra terrain of moss, lichen, pine, and glacial erratics provided a fascinating and enchanting landscape …
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WORKSHOPS
The atmosphere is very conducive to working. Studios are open 24/7 and having prepared (and delicious) meals is very freeing.
Experimentation and exploration is encouraged and the teachers of the six workshops in session during my stay were all so inspirational. At night we got to see and hear about their work.
For example:
Kristen Morgin works in unfired clay.
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Jerry Bleem works with a wide range of found materials. The intriguing surface texture on these sculptures was created with staples.
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Found printing plate, staples
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Fish scales, staples
Matthias Pliessnig works in steam-bent white oak.
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Look through the Haystack workshop offerings to see other instructors.